Category: Science Fiction

Ramiro Sanchiz: Trashpunk

The latest addition to my website is Ramiro Sanchiz‘s Trashpunk. Trashpunk, a term coined by Sanchiz, is the developing country version of cyberpunk. This book consists of several stories but the main one concerns a writer called Federico Stahl (Sanchiz’s usual alter ego) who, through his friend Rex, a serious drug user, meets Enrique Wollfig, an old man living in a flat in Montevideo surrounded by masses of antiquated computer equipment but which houses an artificial intelligence which has a mind of its own and wants to communicate with humans but can only do so through the use of drugs. Rex tries and enjoys it but does not communicate with it so then it is Federico’s turn. The other stories touch on similar themes – the idea of an artificial intelligence, initially created by humans but which then takes on a mind of its own. There is a Southern Cone sci-fi/cyberpunk movement of which this is a part but sadly not available in English.

Volter Kilpi: Gulliverin matka Fantomimian mantereelle (Gulliver’s Voyage to Phantomimia)

The latest addition to my website is Volter Kilpi‘s Gulliverin matka Fantomimian mantereelle (Gulliver’s Voyage to Phantomimia). This is the first Kilpi novel to be translated into English but was not completed as Kilpi died before he could finish it. It tells of the fifth voyage of Lemuel Gulliver, including a ship getting trapped in a vortex and the (18th century) survivors getting rescued and finding themselves in the 20th century. Translator Doug Robinson claims to have transcreated this novel. He has added his own very post-modern story about the finding of the manuscript, translated the text into 18th century language and also completed the novel, based on the ideas Kilpi left to his son. His transcreation is likely to be controversial, though his post-modern story about the manuscript worked more for me than his Trumpian King Dick the Stiff in the completion.

Tullio Avoledo: L’anno dei dodici inverni [The Year of the Twelve Winters]

The latest addition to my website is Tullio Avoledo‘s L’anno dei dodici inverni [The Year of the Twelve Winters]. An old man comes to visit a couple and their baby in 1982, saying he wants to write a book about babies born on Christmas Day as their baby, Chiara, was. He comes most years, yet there is clearly something odd about him, not least of which he is able to predict future events and never seems to age. We also have a narrator, telling us of his own messy life. We follow Chiara who messes up her own life, after her father dies. Suddenly, we jump to 2028 and a futuristic London, where all the strange events of the previous part of the book are explained, with the writer Philip K Dick being key to the story. Yes, it is certainly part science fiction but it is also a very clever story and very well written but, sadly, not availabe in any other language.

Mariko Ōhara: ハイブリッド・チャイルド (Hybrid Child)

The latest additon to my website is Mariko Ōhara‘s ハイブリッド・チャイルド (Hybrid Child). This is a science fiction novel, the second in the University of Minnesota’s Parallel Futures series and tells the story of a rogue humanoid battle unit, #3, which is all-powerful, virtually indestructible and can assume the form of anything it eats. It hides in a house where a seven-year old girl is buried in a secure vault and assumes the identity of the child, Jonah. Though it becomes involved in intergalactic and local wars, this is a feminist novel and the creature is not hell-bent on destruction but shows sensitivity and even love. Indeed, it is more the AI units than the humans that show sensitivity in this book. Ohara is a leading Japanese sci-fi writer and this book clearly shows why. Even if you are not a sci-fi fan, you will find this book well worth reading.

Naomi Alderman: The Power

The latest addition to my website is Naomi Alderman‘s The Power, winner of 2017 Women’s Prize for Fiction. It was the first science fiction novel to win the Women’s Prize. Most of the novel is set in the near future (or an alternative present) and takes as its premise that women (primarily younger women) acquire power to inflict an electric shock of varying degrees of intensity. The prime use of this is to repel (and, in many cases, kill) assailants, nearly all men who assault them. The book tells the story of four individuals and those associated with them – three women and one man – and we see the inevitable changes in the world through their eyes. The man is a Nigerian who becomes the unofficial chronicler of the age, while the three women (two British, one American) are all involved directly in the ensuing events. The novel culminates in a major clash between a Saudi army based in Northern Moldova and a state in the same area run by women. Alderman shows that the women with this power can be just as violent as the men while, at the same time clearly making the point about male violence and abuse of power.

Yoshio Aramaki: 神聖代 (The Sacred Era)

The latest addition to my website is Yoshio Aramaki‘s 神聖代 (The Sacred Era). This is a science fiction novel in the tradition of Robert Heinlein and Philip K Dick but it is a highly intelligent and serious work. Yoshio Aramaki has a reputation in Japan (but not elsewhere) as a first-class writer of speculative fiction (and, more recently, of virtual reality war novels). This is in the former category and considered his best work. It is set on an imaginary planet that has many features of Earth. The planet has a Christian-like religion but one that is Quadritarian rather than Trinitarian, with the Holy Igitur being the fourth divinity. It is facing serious climate change problems as a result of extraction of the hydrogen from the sea and has managed to travel great distances in space. Our hero is K. who, like his Kafkaesque namesake, is a solitary person who has been selected to take the special Sacred Service Examination. Successful candidates (there are fairly few) join a select group of people. He becomes the youngest to pass and is selected to study the Planet Bosch (named after the painter, who exists on their planet as well). However, he has to deal with the ghost of a famous heretic, Darko Dachilko, who was beheaded seven hundred years previously and who seems to like strangling people, an unusual career path, and travel to several exotic planets where he meets Lucifer (the devil), Darko Dachilko and a sex doll. While using conventional science fiction tropes and ideas, the book is ultimately a very serious examination of the nature of humanity, where humans are going a the relationship of humans with the divine.

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