The latest addition to my website is Wolf Wondratschek:‘s Selbstbild mit russischem Klavier (Self-Portrait with Russian Piano). The unnamed Austrian narrator meets Suvorin, a retired Russian classical pianist in a café and they become friends, meeting regularly in a Italian restaurant. Much of the novel is Suvorin recounting his life, his views on various matters, particularly literature and music but also on ageing. He has given up playing and even going to concerts. His wife was killed in an accident and his children have moved away, so he is very solitary, though occasionally meeting other retired musicians. We learn little about the narrator, who wanted, when young to be an opera singer, but a lot about Suvorin and the problems of ageing. Wondratschek tells his story well, showing ageing and all its problems. This is Wondratschek’s first book published in English.
The latest addition to my website is Siegfried Lenz‘s Der Überläufer (The Turncoat). This novel was originally written in 1951, Lenz’s second novel. However, it was not published then, partially for political reasons, and forgotten, only for the manuscript to be found in his papers after his death in 2014. It was published to great acclaim in Germany in 2016, It tells the story of Walter Proska. We first meet him as a German soldier, returning to the front near Kiev from leave. His train is blown up but he escapes and then joins a German troop guarding the railway, not very successfully. The troop is eventually captured and, at the instigation of his of his comrades, Walter joins the partisans and is with them as they come to his home town just across the former German-Polish border. After the war, he works for the Soviet-controlled Germany, the future East Germany. However, he learns that he is about to be arrested. Lenz tells an excellent story, particularly the first part with the troop with it s colourful members and nasty corporal.
The latest addition to my website is Francis Nenik‘s Reise durch ein tragikomisches Jahrhundert (Journey Through a Tragicomic Century). The book is a narrative non-fiction. It is the biography of a forgotten German writer, Hasso Grabner (link in German) who had something of a colourful life. He never knew his father, became a Communist early in his life, opposed the Nazis in the 1930s but ended up in Buchenwald and then as part of a punishment battalion in Greece, where he tried to sabotage the German war effort. After the war, he was in East Germany, working to build socialism but, because he was less than ideologically pure but very efficient, he was at one minute an ordinary worker and the next head of a major industrial combine. Eventually, he became a writer but, even then, clashed with the authorities. Nenik tells the story at a furious pace but makes plenty of comments and writes Grabner’s story as a novel not as a formal biography , which makes it highly readable and enjoyable. This is a book from new imprint V&Q Books, , headed by Katy Derbyshire, translator of this and many other fine German works.
The latest addition to my website is Esther Kinsky‘s Hain [Grove]. LikeAm Fluss (River), her previous work – this novel is about the travels of an unnamed narrator, clearly Kinsky herself, in this case in Italy, but off the usual tourist track, to Olevano Romano and the Po Valley. This book is coloured by the death of her husband (Kinsky’s husband Martin Chalmers died in 2014). She does observe nature but she also visits cemeteries and sees many images of death, from dead birds to the local undertaker. More in the Po Valley, a wetlands area as in Am Fluss (River), she observes nature and its effect on man. There are no fireworks in this book but a beautiful reminiscence of nature and of death. It has not been translated into any other language.
The latest addition to my website is Uwe Tellkamp‘s Der Eisvogel [The Kingfisher]. Wiggo Ritter is a lost soul. His father is a ruthless banker and Wiggo hates everything he stands for. He studies philosophy, to his father’s disgust, but gets into a dispute with his professor and loses his job. He then meets Mauritz and Manuela Kaltmeister. They belong to a group called Rebirth, a right-wing group, which believes the elite should rule. Mauritz is pushing for terrorist activities to scare the populace into wanting a law-and-order group like his to take over and where better to start than with the professor who fired Wiggo? We know it goes wrong, as the book opens with Wiggo shooting and killing Mauritz and he ending up in hospital with severe burns. This is a fine book, only translated into Polish, about urban terrorism and a lost soul not finding his way.
The latest addition to my website is Olga Grjasnowa‘s Gott ist nicht schüchtern (City of Jasmine). Grjasnowa is an Azerbaijan-born German national, married to a Syrian. This novel primarily takes place during the recent Syrian Civil War. We follow the fate of three Syrians caught up in it. Hammoudi has studied medicine in Paris and briefly returned to Syria to visit his family and renew his passport. However, though his passport is renewed, he is not allowed to leave the country. Amal is the daughter of a rich man, who is studying drama. She is also demonstrating against the repression by the Assad Regime. She meets Youssef, a young director. Amal and Youssef both get arrested and later leave the country, though their troubles are far from over. Hammoudi works as a doctor in his home town of Deir ez-Zor, while under heavy attack from both the Syrian army and Isis, before escaping to Turkey and also having further problems as a refugee. It is a thoroughly grim novel but interesting to see the crisis from the perspective of the ordinary Syrian trying to survive.
The latest addition to my website is Uwe Tellkamp‘s Der Turm (The Tower). This is a monumental novel – around a thousand pages long – which follows the lives of an extended, middle class family in the German Democratic Republic, ending with the fall of the Berlin Wall. Tellkamp’s aim is clear – to utterly condemn the GDR and its ways. The various family members, none of whom is a saint, have their own family and personal problems but, above all, they face innumerable problems by virtue of the fact that they live in the GDR. These problems include shortages, being spied on, extensive censorship, getting into trouble for even the mildest criticism of the system, housing problems, massive corruption, frequent power outages and many more. Tellkamp illustrates all of these problems and many more through his characters, as they struggle to cope and to survive. We follow three main characters – Richard, an outspoken surgeon, his son, Christian, far less outspoken than his father but who nevertheless gets into trouble for it, and Meno, Richard’s brother-in-law, a publisher’s editor who faces daily censorship. Tellkamp very much makes his point but it is a lot of reading on a subject that is soon likely to fade from memory.
My other interest in this period is because World War I changed so much. There were the obvious changes such as the fact that 10 million died and 20 million were injured, large parts of France and Belgium were destroyed, the economies of many European countries were destroyed, it led directly to the Great Depression and the rise of Fascism, various revolutions/civil wars happened (Russia, Ireland, Malta, Hungary, Germany, Egypt, Finland and others) and various countries died/significantly changed their frontiers and/or came into being after the war. Less obvious but still fairly well-known were the Spanish flu epidemic immediately after the war, which took millions of lives, the fact that after the War, the US surpassed Britain and Germany in economic and political power and the fact that after the War, Britain (and other countries, too) moved from being primarily a rural country to being primarily an urban country. In the UK, we have recently celebrated one hundred years of votes for women though, as many pointed out, it was at the same time that all adult men also received the vote. There is no question that the role of women changed after the war, not least because women had to work at men when the men were away fighting and dying.
Many novels and poems were written (and are still being written) about World War I, probably as many if not more than those set in World War II and the American Civil War. I have a long but far from complete list on my main site. Obviously many of those concern the actual conflict as well as life at home. Many of the World War I novels are critical of the conduct of the war. We can read about the terrors of the war, the inefficiency, incompetence and, at times, venality of the powers that be and of the officer class. Some novels show gentlemen declining to be officers and enlisting as other ranks.
The Tate divided its exhibition into eight categories. These are:
Remembrance: Battlefield and Ruins
Remembrance: War Memorials and Society
Traces of War: Wounded Soldiers
Traces of War: Dada and Surrealism
The Print Portfolio (prints, primarily in France and Germany, widely distributed)
Return to Order
Imagining Post-War Society: Post-War People
Imagining Post-War Society: The New City
While this division is not necessarily terribly helpful in looking at the novel, it does have some relevance. The war-wounded, example, certainly appear in various novels as do ruined battlefields and the idea of a return to order. However, I shall focus on a few novels that are on my website that do look at some of the after-effects of the war. There are, of course, many other novels dealing with this topic that are not on my website. Also, some of these novels will also deal with the war itself before moving on to the after-war period.
It could be argued that many of the great novels of the post-WWI period would not have existed without World War I. Would we have had, for example, Kafka, Joyce, Woolf,Faulkner and many other fine novelists without World War I. The answer is, of course, maybe but they may have been different and we may well have had others who would have revered even more. I shall not, therefore, be looking at those writers and others as regards their writing style and experimentation (Surrealism, Dadaism, etc. probably influenced the novel but were not, on the whole as key as they were in art.)
I shall start with my favourite post-war novel and that is Ford Madox Ford‘s Parade’s End tetralogy. Much of the series – and probably the better part – is set during the war but it is also is very much concerned with what we call world-weariness though other languages have better terms. While researching this issue, this clearly came up as a general issue. Some of it, of course, was post-traumatic stress disorder (then called shell-shock) but a lot of it was a general malaise that affected a lot of people, combatants and others, and Ford deals with it.
One other great English post-World War I novel and one far less known is Henry Williamson‘s The Chronicle of Ancient Sunlight series. This covers a long period – from the late 1890s to the 1950s. It covers World War I, of course and also the aftermath. The Williamson character and hero of the book, Phillip Maddison, does what Williamson actually did (and what D H Lawrence and others did) – retreat from the world, an aspect of world-weariness. Maddison also remarks on the disappearance of the rural around London.
Virginia Woolf‘s Mrs Dalloway is not the only novel to have a shell-shocked soldier in it but Septimus Smith is memorable, not least because he appears in a first-class novel, but also because he is so well portrayed by Woolf, as he retreats into his own world from which he will never return. Sadly, there were many men like him.
Two key themes for US writers were The Lost Generation and the Depression. The obvious Lost Generation work is Ernest Hemingway‘s The Sun Also Rises (UK: Fiesta) with its epigraph You are all a lost generation. Jake Barnes, the hero/narrator, has been wounded and left impotent and joins the list of literary characters, wounded physically and mentally during the war. William Faulkner‘s Soldier’s Pay is not an obvious Lost Generation novel, not least because it is set in the US and not Paris but it does show the effect of the war on those who do not go to Paris.
Many of the French novels of the period are concerned entirely with the grimness of the war, which is not surprising as much of the war was fought in France. Louis-Ferdinand Céline‘s Voyage au bout de la nuit (Journey to the End of the Night) may be the most miserable book about the post-war period. Ferdinand Bardamu is a deserter and spends much of the book wandering around in a state of misery and encountering the miseries of other people. If you have any doubts as to whether people really were miserable after the war, this book should cure you.
The war was not just about the Western front. Events took place elsewhere and World War I influenced them. I mentioned various revolutions and civil wars. The best-known book in English about the Russian Revolution is, of course, Доктор Живаго (Doctor Zhivago). If you have not read the book, you may well have seen one of he films. Nabokov hated it. It does show the horrors of the Revolution which, of course, came about because of the war.
There were other places involved. I would mention Macedonia, not an obvious one. Petre M. Andreevski‘s Пиреј (Pirey) is about the aftermath of the war in Macedonia with the hated Bulgarians being replaced by the hated Serbs.
Only the first volume of Cezar Petrescu‘s Întunecare (Gathering Clouds) has been translated into English and that deals with the war. However, the second and third volumes deal with the post-war period in Romania. They have been translated into French and German and I hope to get round to them sometime.
I would mention two excellent more modern novels that deal with the aftermath of the war. Sebastian Faulks‘s Birdsong does take place, in part, during the war but also some of it is set in modern times (i.e. late 1970s) and is about the modern memory of the war. This has been quite common recently with the hundredth anniversary but was less so when Faulks wrote his book. There have been several other novels doing this as well.
Robert Edric‘s Desolate Heaven is less well-known but deals with a group of people shortly after the war who are suffering in various ways. It is a first-class novel which should be better-known.
There are many, many other worthwhile novels on this topic but I hope this will give you a flavour to supplement the Tate exhibition. The exhibition continues till 28 September 2018, so do try and see it if you are in London.
The latest addition to my website is Esther Kinsky‘s Am Fluss (River). This is a beautiful book, narrated by an unnamed narrator but clearly based on the author. She has temporarily moved to London – she has no clear reason why – specifically to the very unfashionable area of Hackney, through which flows the River Lea. Part of the book is about the appeal to her and effect on her and her memories of both the Lea and several other rivers, including the Rhine by whose banks she grew up as a child. However, she also portrays the local community, many of whose denizens are immigrants and foreigners like her and shows their individuality. She photographs the river, recalls other rivers she has seen and brings back memories. Above all, her writing is superb and we cannot fail to be entranced by her ability to make the ordinary less ordinary.
The latest addition to my website is Daniel Kehlmann‘s Tyll [Till]. It is based on the legend of the trickster Till Eulenspiegel though Kehlmann has moved him from his traditional 14th century date to the Thirty Years’ War. We follow Till’s childhood – his father is executed by the Jesuits for witchcraft – and his escape from his village with Nele, his girlfriend who is not his girlfriend. They become travelling players and their reputation spreads far and wide, so much so that Till becomes the official fool of Frederick V of the Palatinate. We follow political events through the eyes of Frederick’s wife, the Scottish Elizabeth Stuart, Queen of Bohemia, known to history as the Winter Queen. Frederick dies of an infection while seeking help in his war from Gustavus Adolphus of Sweden. Kehlmann is eager to point out the horrors of war, and this war is bloody, messy and very badly organised. It is not Kehlmann’s best – jumping from Till and his adventures to Elizabeth Stuart and her problems and the problems of her husband, but is still worth reading.
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