A glance at my website will show that I am interested in reading and promoting the novels from smaller countries. I have, for example, novels from Cape Verde, Burundi, the Faroe Islands and Niue, as well as from other smaller countries. I have not visited Cape Verde, Burundi, the Faroe Islands or Niue and almost certainly will never do so. Just as I have not visited and never will visit many of the other countries on my website, though I have just counted and find that I have visited sixty-two of the countries, though, of course, that includes some duplications e.g. I have visited Catalonia and Spain.
As a result I do spend some time poking around the web and various publications, trying to find out what novels have been written in these countries and, in particular, what are available in Western European languages that I can read. Part of the problem is that the novel is primarily a Western tradition, with one theory being that it was invented by Samuel Richardson with his Pamela. This is, of course, false. Not only were there other English candidates, there were numerous other candidates from elsewhere. Margaret Anne Doody‘s seminal The True History of the Novel is essential reading on the subject and highly recommended.
Chariton’s Callirhoe is the first novel she discusses (you can read it here) and there are several other Ancient Greek novels, e.g. this collection. But obviously we could make a claim for the much earlier Epic of Gilgamesh and other Eastern epics. Which brings me back to the issue at hand, namely the fact that the novel is primarily a Western tradition. One of the reasons many countries do not have many novels to read is that their culture did not produce novels but focused rather on poetry, myths/fables and tales. When looking for novels from many of these countries, I easily find examples of poetry, fables and tales but far fewer novels.
Which brings me to Laos. Yes, we have finally got here, albeit by a somewhat tortuous route. This link, for example, clearly shows that Laos does have modern novelists but, as far as I can determine, they have not been translated into any Western European language. Anatole-Roger Peltier, for example, has translated classic Lao works into French and English (see The White Nightjar above) but not modern literature. Outhine Bounyavong may well be Laos’ best-known writer but only a collection of his stories has been published in English. When the Sky Turns Upside Down is a collection of stories by two Lao sisters. There is a Thai bookshop selling Lao books but they tend to be books about the history and culture of Laos written by foreigners. The same applies to Monument Books. In short, as far as I can determine, there is no modern Lao novel available in a Western European language. If this is incorrect, I would be grateful for any further information. I look forward to some enterprising publisher taking up the mantle and publishing a Lao novel in a Western European language.